I make photographs of people and places in my immediate surroundings—my children, wife, friends, pets, and the rural landscapes that shape daily life. My work explores the intricate intersections of nature, childhood, and domesticity. Based in New York’s Hudson Valley, with deep roots in Canada, I have spent decades cultivating a distinctive visual language that bridges traditional fine art and contemporary realism.
My practice incorporates a dialogue between analog and digital processes. While many of my images are grounded in family and home, my broader portrait practice also includes long-term projects with Native American communities in New Mexico and South Dakota. Across these bodies of work, my portfolio draws inspiration from the landscapes of Canada, the American West, the Hudson Valley, and the New Forest in Southern England, shaped by my family’s travel and lived experience in these places.
A central theme of my work is a sustained commitment to intimate portraiture. A collaborative series with my friends and family, now spanning more than thirty years, offers a poetic observation of life’s most personal rhythms. This ongoing project has become both a diary and an all-encompassing subject—an enduring exploration of the most complex and meaningful parts of my life. Whether photographing those closest to me or engaging in extended portrait projects beyond my immediate circle, I am interested in trust, time, and quiet presence.
By elevating the mundane to the monumental, I invite viewers to find beauty in overlooked details of both domestic life. This enduring body of work is a testament to the power of slow, intentional observation.
I have exhibited at White Columns in New York and have produced editorials for magazines including Man About Town, V, Interview, Index, and Dossier Journal.